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October 8, 2014 THE VILLADOM TIMES I • Page 27
‘A Million Ways to Die’ is comic look at Old West perils
Amanda Seyfried, Neil Patrick Harris, and Seth MacFarlane in ‘A Million Ways to Die in the
West.’ by Dennis Seuling
“A Million Ways to Die in the West”
(Universal), set in Arizona in 1882, focuses
on sheep farmer Albert Stark (Seth MacFar-
lane). Albert detests the location and time
period destiny has inflicted on him and
constantly refers to the innumerable dan-
gers facing folks in the West: Indians, gun-
slingers, disease, feral animals, accidents,
etc. To Albert, the West is death waiting to
grab unsuspecting victims.
When his girlfriend (Amanda Seyfried)
leaves him for a pompous fop (Neil Patrick
Harris), Albert’s last iota of self-confidence
evaporates, until he meets Anna (Charlize
Theron), a new woman in town. Anna, how-
ever, is the ex-gal pal of the most dangerous
gunman in the Wild West (Liam Neeson).
MacFarlane, who also directed, includes
numerous sight gags, one-liners, and bits of
slapstick, and creates some funny charac-
ters in the process, chiefly the local prosti-
tute (Sarah Silverman) who but refuses to
consummate her relationship with her boy-
friend (Giovanni Ribisi) until after they are
married. Neeson, known for his tough guy
roles in the “Taken” movies and the current
“A Walk Among the Tombstones,” is excel-
lent at sending up the image of the black-
clad bad guy and contributes to some of the
film’s funniest scenes.
Theron’s Anna proves a very attrac-
tive foil for Albert and serves as Abbott to
his Costello, setting up gags as “straight
man.” Harris has fun as the richest man in
town who shows off his affluence with an
elaborately waxed mustache. He even gets
a chance to exercise his musical comedy
skills in a loopy hoedown sequence.
This ground has been covered before in
Mel Brooks’ “Blazing Saddles,” but paro-
dying Western flicks still provides rich pay
dirt. MacFarlane’s theme of danger every-
where underscores the gags as poor Albert
tries to cope with all manner of adversity
merely to make it to the next day.
The Blu-ray DVD combo pack con-
tains the R-rated theatrical version and an
unrated edition. Bonuses include a gag reel,
feature commentary, deleted and alternate
scenes, an alternate opening and ending,
and adigital copy.
“Edge of Tomorrow” (Warner) unfolds
in a near future in which an alien race is
hammering the Earth in an unrelenting
assault, unbeatable by any military unit
in the world. Major William Cage (Tom
Cruise), an officer who has never seen a day
of combat, is unceremoniously dropped into
what amounts to a suicide mission. Killed
within minutes, Cage finds himself inex-
plicably thrown into a time loop that forces
him to live out the same brutal combat over
and over, fighting and dying again and
again. But with each battle Cage, alongside
Special Forces warrior Rita Vrataski (Emily
Blunt), becomes increasingly skilled, and
each repeated encounter gets them one step
closer to defeating the enemy.
Time travel has countless possibili-
ties for filmmakers, and the variation here
is interesting — a sort of sci-fi version
of “Groundhog Day,” with each “death”
fueling Cage with improved abilities and
knowledge of how to prevail. The action
sequences are staged dramatically by direc-
tor Doug Liman (“The Bourne Identity”),
who balances the bloodbath scenes with
clever doses of dark humor. Blunt channels
Sarah Connor from “The Terminator II”
— the war-hardened veteran whose skills
include wielding huge cannon-like weap-
ons and fearlessly confronting a seemingly
indestructible adversary.
Extras on the 3D Blu-ray combo pack
include deleted scenes, a digital copy,
and four featurettes. The standard Blu-
ray combo pack contains the same bonus
extras. “Million Dollar Arm” (Disney), based
on a true story, follows JB Bernstein (Jon
Hamm), a once successful sports agent who
is being edged out by bigger, sharper com-
petitors. While watching a cricket match in
India on late-night TV, JB comes up with a
radical plan: Why not go to India to find the
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