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May 28, 2014 THE VILLADOM TIMES I • Page 25
Classic vampire tale receives above average retelling
by Dennis Seuling
Bram Stoker’s novel “Dracula” has
been adapted countless times for both the
big and small screen. In 1973, director Dan
Curtis (“Dark Shadows”) joined the crowd
with a TV movie that received theatrical
release in Europe. This “Dracula” (MPI)
stars Jack Palance. The twist here is that
this Dracula is the undead incarnation of
the real 15th century warlord, Vlad Tepes,
who travels to England from his native
Transylvania to be reunited with the rein-
carnation of his long lost love. Much of
the film adheres to Stoker’s original story
and it boasts some impressive production
values. Palance’s performance is uneven. He
is supposed to be a sympathetic charac-
ter, motivated by love, but his over-the-
top expressions often give him the air of a
teenage trick-or-treater rather than a love-
lorn count. The character of Van Helsing,
the film’s source of exposition, is played
by Nigel Davenport, whose deadly seri-
ous delivery gives the picture an air of Old
World class. The rest of the cast is above
average, with Penelope Horner (Mina),
Fiona Lewis (Lucy), Simon Ward (Lucy’s
fiancé Arthur) especially effective. At 98
minutes, this is one of the shorter adap-
tations of “Dracula,” but screenwriter
Richard Matheson’s version is fast-paced,
Jack Palance stars in ‘Dan Curtis’ Dracula.’
suspenseful, and a worthy entry into the
cinematic vampire canon. Special features
on the Blu-ray release include interviews
with Palance and Curtis, and outtakes.
“Gambit” (Sony) is a remake of the
1966 Michael Caine/Shirley MacLaine
caper film. The new version, directed by
Joel and Ethan Coen, updates the story to
contemporary Texas and England. Harry
Deane (Colin Firth) and P.J. Puznowski
(Cameron Diaz) join forces to trick Har-
ry’s bully of a boss, rich British art collec-
tor Lionel Shahbandar (Alan Rickman),
into buying a fake Monet made by a skilled
forger (Tom Courtenay). Everything that
can go wrong does go wrong in a series of
farcical episodes involving Harry’s comic
humiliations. The major flaw is the lack of
chemistry between Firth and Diaz. They
often seem to have wandered in from other
movies. Firth tries hard, but never gets into
the proper groove. He looks uncomfort-
able and seems a poor fit for the farcical
situations. Diaz looks beautiful as always,
but lacks any iota of subtlety in her perfor-
mance. There are no extras on the Blu-ray
release. “The Color of Lies” (Cohen Media
Group), directed by Claude Chabrol, is a
murder mystery set in the small fishing
village of St. Malo. A 10-year-old school-
girl is raped and murdered in the woods.
The new female chief inspector Frederique
Lesage (Valeria Bruni Tedeschi) focuses
on the mentally unstable artist Rene Sterne
(Jacques Gamblin), the girl’s private art
teacher and the last person to see her alive.
Rene becomes increasingly unsettled by
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