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August 28, 2013 THE VILLADOM TIMES I, II, III & IV • Page 19
Inept kidnappers plan caper in ‘Pain and Gain’
Daniel Lugo (Mark Wahlberg) and Paul Doyle (Dwayne Johnson) join forces to pull off a kid-
napping in ‘Pain & Gain.’
by Dennis Seuling
“Pain and Gain” (Paramount), an action
flick from director Michael Bay, is based
on true events concerning a kidnapping
plot gone terribly, violently wrong.
Victor Kershaw (Tony Shalhoub) is a
businessman and a client at the gym where
Daniel Lugo (Mark Wahlberg) works as a
trainer. Kershaw brags about his wealth and
Lugo sees in him a fast path to the life he
wants. He enlists the help of fellow body-
builders Paul Doyle (Dwayne Johnson) and
Adrian Doorbal (Anthony Mackie), whom
he manages to convince that kidnapping
Kershaw will be a piece of cake.
Bay straddles a precarious fence, bal-
ancing laughs -- derived mostly from the
ineptness of the three plotters -- with some
gruesome, bloody moments that transpire
when poor plans go afoul.
The film goes beyond the typical caper
in its detail and nearly unbelievable twists
as Kershaw turns out to be a far more stub-
born victim than anticipated. As things go
awry and Lugo and his two equally dumb
cohorts have to improvise, they devise
Rube Goldberg-type quick fixes that lead
to greater complexity and throw them into
a panicky tailspin.
“Pain and Gain” thrives on incongrui-
ties and coincidences. The film fascinates
because of the sheer stupidity and audacity
of this threesome.
There are no extras on the two-disc
Blu-ray/DVD combo pack.
“The Walking Dead: The Complete
Third Season” (Anchor Bay) is a five-
disc set containing 16 episodes from the
season that began on Oct. 14, 2012. Based
on a series of graphic comic novels by
Robert Kirkman, the show has become
a huge hit on the AMC cable channel. Its
graphic images, gruesome makeup, and
action sequences distinguish it as one of
the better zombie efforts on both big and
small screens.
This season is much improved over
Season Two. Action in Season Three is
brisker, zombie scenes more abundant,
and character development richer. But it is
the zombies that are the main draw here,
and even with better scripting and pacing,
impatience sets in when the zombies are
off screen for too long.
Outstanding episodes include the
season premiere, “Seed;” “Killer Within,”
which dispatched two main characters; and
“Clear,” a road trip episode that focuses on
Rick, Michonne, and Carl.
As with previous “Walking Dead” DVD
sets, extras are abundant. They include
eight behind-the-scenes featurettes, audio
commentaries on five episodes, and
deleted scenes.
“Kon Tiki” (Anchor Bay) is based on
the true 1947 adventure of Norwegian
explorer Thor Heyerdahl (Pal Sverre
Hagen), who determines at great risk to
prove a theory is possible. When the sci-
entific community rejects his theory that
South Americans were the first to settle in
the Polynesian islands, Heyerdahl resolves
to prove its validity and save his reputation
by making the voyage himself. Recruiting
a group of five men, he constructs a simple
balsa-wood raft to original pre-Columbian
specifications, insisting that only primitive
materials be used, and sets off on a journey
that will last 101 days across the treacher-
ous Pacific Ocean. The expedition suc-
ceeds in demonstrating that ancient people
could have made the long, hazardous sea
voyage. The sequences at sea are the film’s most
memorable, but there is also an impressive
re-creation of 1940s New York City as
Heyerdahl seeks funding for his journey.
Like “Life of Pi,” “Kon Tiki” is very much
a man versus nature saga, the main differ-
ence being that Heyerdahl and his small
crew willingly put themselves in danger to
support a theory that the scientific estab-
lishment dismisses.
Special features on the Blu-ray/DVD
combo pack include a visual effects fea-
turette and background on the actual Kon
Tiki voyage.
“At Any Price” (Sony Pictures) is set
in Iowa, where Henry Whipple (Dennis
Quaid) is fighting to have his seed-selling
business survive amid increasingly tough
economic circumstances. His traditional
way of farming is threatened by big busi-
ness interests that encroach on his cus-
tomer base and squeeze him into making
difficult moral decisions about how to suc-
ceed in farming in 21st century America.
Zac Efron (“High School Musical”)
plays Henry’s son Dean, who has no inter-
est in farming and aspires to a career as
stock car racer. Henry’s other son, football
hero Grant (Patrick W. Stevens), is sup-
posed to be coming back from college,
but goes backpacking through Argentina
instead. Henry must act alone or lose his
farm. Director Ramin Bahrani succeeds in
illustrating real challenges to American
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